Plot 8

This summer has been a funny one for harvest on the allotment. The long period of heat and lack of rain resulted in tiny potatoes and very  late runner beans but somehow despite this, vast marrows! This year of gardening has been rather chaotic, with sparse visits fitted in around our working patterns and family life, but once I’ve made the time and put in the effort to get there I have always really appreciated the head space the plot gives me in a somewhat full-on / stressful academic / design career. An hour of digging is so good for my mind and body, far better than any gym visit. Connecting with nature helps me register the seasons, and home-grown fruit and vegetables are the best!

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This year started off like any other: hoping for bumper crops, trying to stay on top of the weeds, while trying to clear old ground for new patches of earth to cultivate. Then an opportunity arrived and we made a big decision that has been in the back of our minds to make for a while, couldn’t work out how to do it, but is now coming true. We are leaving Birmingham and moving to the country – Norfolk to be precise (yes I was born there, no I’m not going home) – where I am taking up a new academic role, and it’s all-change! Anyone with a sense of British geography knows we will be nearer the sea, we will see more sky, and the horizon will be flatter! We are not moving up or down, we are moving across!

This process has been taking shape over the summer months and during this time I’ve had to come to terms with leaving plot 8, in an allotment site in south Birmingham that I’ve worked so hard on, dug intimately and harvested crops from since 2006. My children have slept in their prams in all weathers as I’ve carried on digging, they’ve chewed on runner beans when teething and learned to grow their own plants too – as well as digging large pits to fill with grass seeds, much to my horror! I’ve dug alongside friendly birds, untangled a hedgehog from the bindweed and been startled by a fox; it’s rarely lonely at the site. I’ll never tire of the first scent of sweet peas each year. Here are a few images from over the years:

KateFarley_plotHISTORY

I’ve written many posts here about the plot and the process of growing food, colours, harvests, the community spirit and the way it has inspired my first commercial collection of patterns: Plot to Plate, launched in 2012. I’ve made many editions of prints as a result of mapping the crops growing here. The joys of growing my own food were celebrated in the design featuring tools used on the Plot to Plate title design across tea towels. Without this space – this haven of nature in the big city, I would have struggled far more from living here. As I worked at the allotments I would often think of all the shoppers in the Bullring on a Saturday afternoon, wondering why they made their choice to do so, rather than garden like me.

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This post is written to register the anticipation and excitement of change despite the vast upheaval, both physically and emotionally: saying goodbye to friends and colleagues who have shaped the last 13 years of my life, as well as this plot, that has paid its part in taking care of me. We’ve gathered the tools, taken our last harvest, handed back the keys and now hope that someone else will feel the joy of plot 8 in years to come!

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taking some time from tasks..

It’s the end of the academic year and I’ve got lots of admin tasks to complete and fortunately some trips to prepare for. The life of an academic is no longer one of summer holidays stretching out ahead of us until leaves turn red with plenty of time to catch up with rediscovering the in-tray, or making time for creative practice. Graduate shows, marking retrievals, timetables and planning new modules are only some of the things have been on my list. Many jobs fight for my attention – including the veg plot! Despite the jobs it’s so important to get out and about, see things and make time for oneself! I’ve got a number of projects planned for the next few months and taking stock is always a good start. Here’s to some time to think, and some time to draw, amongst the admin of the summer!

If you want inspiration and have time to see an exhibition I can suggest the Edward Bawden show at the Dulwich Picture Gallery – it’s brilliant. My daughter and I got chatting to two ladies who were enjoying it as much as us; spotting small details and playful touches in the commercial designs including the London Underground roundel as a pigeon’s eye, and several cats lurking! The versatility of processes and visual language, the playfulness, the draughtsmanship and scope of commercial clients is all there to admire. As ever, seeing the old favourites as well as those works new to me, in the flesh is always better than on a screen … Do go if you can – before September 9th!

I was very proud to also see my ‘Gardening with Mr Bawden‘ book published by Design For Today in the exhibition shop. The handling copy was a shadow of its former self, so I did my duty and folded it up properly again. The sales assistant commented on how well they are selling, so I’m grateful to those customers too!

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special edition news!

If you follow me or Design for Today on social media you will have seen updates of the book we have collaborated on celebrating artist / designer Edward Bawden’s love of gardening. The book is titled ‘Gardening with Mr Bawden’. It’s been the perfect project for me as I also love gardening, have a background in making artists books and also love lino-printing.

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I’ve designed the book taking inspiration from some of the research I’ve found about Bawden, such as his preference for structural plants, his competitive growing of sunflowers, and the ongoing problems with snails. I’ve also made reference to some of the artwork made by Bawden and his dear friend Eric Ravilious, including the view under the tree with the table and tea things, as well as the bench Bawden designed.

All the motifs are my own but I’ve made reference to the sort of patterns Bawden was designing while living at Brick House, Great Bardfield in Essex. I’ve blended the idea of plants growing in the greenhouse, becoming wallpapers in the house. There is a pull-out greenhouse!

There are limited edition sets available to pre-order now which includes a signed book with four greetings cards and a collectors book explaining the project. Click here to order.

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woven landscape

It seems right to me that as someone keen to draw images I chose print as my medium of design rather than weave but I do think there is a strong sense of the spirit of woven cloth in how I see things, and for that I thank my upbringing in Norfolk. The strong horizontal line of the sky meeting the fields interrupted by vertical fence posts or reeds creating visual rhythms can leave me feeling utterly complete. Back in Norfolk this Easter, once again I breathed in the space, the horizontal and vertical of Horsey; one of the most perfect places.

I removed colour from this image as I wanted to clearly show the structure of the stripes, but colour is much of the joy in this landscape – the purples, greens, yellows, varying from minute to minute in the ever-changing light. I add them below. One day I will weave again.

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garden cuttings

I’ve been working away in the studio on a wonderful project with Joe Pearson of publishing company Design for Today for a while and time has come for us to begin to share the results. It is a book inspired by Edward Bawden and his love of gardening. The content of the book has been informed by my research into his garden at Brick House, Great Bardfield in Essex. Bawden was a very keen gardener and I have researched and worked with anecdotes and visual references to build a picture of what his garden may well have been like and designed the artwork of the fold book with lino prints, a process he used many, many times.

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Keep an eye on social media for more updates as we lead up to the official launch in May.

evolution in practice

I’m thinking about different aspects of marketing and promoting businesses in textiles for a lecture tomorrow and I came across this image which got me thinking about how my practice has evolved and my priorities have changed since I took this picture only a few years ago. I’m so grateful for the opportunity to shape and alter the practice I have, to take on projects that suit me at the time. Hooray for portfolio careers! Right, what’s next?…

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telling stories

Each project I create is part of a longer narrative of my practice and as I look back over the years it is easy for me to see common aspects and joined up thinking spanning those projects. As I teach this year’s final year students on the BA programme I lead I am reminded of my own journey starting out in design, and the questioning I did to work out what sort of work I wanted to be represented by in my step beyond graduation. The challenge of the Final Major Project!

I understand the battle and pressure to work out your own style, the look or handwriting to be yourself, but funnily enough I don’t think that is the thing that holds my practice together anymore – you may disagree, and I’d be interested to know! What has become the common thread holding so many of my projects together has been the story, the narrative within each project. I could never have imagined this all those years ago, even though I was making books! I’ve made many artists books that contain single narratives, but I’ve also worked on large-scale projects that involve public toilet doors that act as pages of the book with a story across them. This is also true for the Queen Elizabeth Hospital in Birmingham where my designs are laid out in gravel across three huge roof-scapes. I’ve also been challenging how to place pattern within single designs, such as in my Plot to Plate tea towel design, telling the tale of growing, cooking and eating food. I’ve made series of prints, and a set of posters, all held together by a narrative. The more I look the more examples I can see.

If only the graduate me back then could have told me that the key aspects of my practice would work themselves out I would have worried less, but then again, it is the search for these answers that take you on the creative journey in the first place. Some people like to know what they are going to design, design it, then be pleased it looks as they planned. As for me, I like learning as I go, push myself that little bit more, find a bit of creative strength to step out of my comfort zone, and then be pleased I got somewhere I didn’t know existed. The creative process is a difficult thing to explain, but it’s all the more interesting for being that way.

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Top left: artists book in collaboration with Wes White for Sherborne House, Dorset, 2004

Bottom left: visualisation for the roof-scape at Queen Elizabeth University Hospital, Birmingham, 2009

Right: Plot to Plate tea towels, 2014