I have always felt that one’s upbringing has a huge influence over the aesthetics of that designer. The house, the landscape, the products and fabrics that are present in the early years; everyday things, that at the time may not have been seen as important then can be blamed or celebrated in the later career of artists and designers. No doubt plenty of people would disagree with me, that’s not the point. I can clearly see a link between my own aesthetic, and my upbringing, and I’ve written about it in the past- read here & read here
On a trip back to the family home in Norfolk I came across the old games we used to play and was mentally transported back years before, simply by seeing the beautiful graphic qualities, clean lines and visual communication that I hold dear in my own practice. My visual language doesn’t necessarily mimic those designs but it’s more of an approach, a set of values & expectations that I set myself. We can expect things to be very different in the future with such digital aesthetics taking firm hold of so much of every day lives for my children and those of tomorrow. From how we create art and design, to how we view it on screen as well as on fabrics and surfaces much is very different. It is not necessarily a criticism of today, but more an appreciation of the inspiration I had and continue to thrive by. I sincerely hope that there will be art and design education in place over the next few years which will inspire the future textile designers, setting the benchmark for beyond that.
Here’s some of the graphic wonders. Red is a very popular box colour and it’s worth noting that many of the games proudly state they were made in England. Pieces were metal, wooden, proper card, nicely printed and beautifully boxed… there, a bit of nostalgia too! It also might be worth noting that in the ‘careers’ game The Arts was kept firmly in the box while ecology, sports, politics and big business made it on to the cover of the box!